Joseph Marti, an unremarkable bookbinder, quits his job after a clash with his supervisor. He is transported to a villa in the early 20th century, where he becomes assistant to inventor and engineer Tobler.

Late 1980s, at the Polish Coast. The old communist order, with its greyness and rigid set of prohibitions and commands, is in decline. But a new order is yet to be established.

After graduating from university, Asia and Marek bought an old house near the eastern border of Poland. There in Białowieża Forest, the oldest forest of Europe, the couple created their own paradise over the years – a place where their children can grow up safely, away from the problems of today's world.

Małgorzata is fully in control of every aspect of her life. Resolute, well-organized, and with her feet firmly on the ground, she has sacrificed everything for her career. Her younger sister Łucja on the other hand, is an impulsive seeker who sometimes loses her way in life, but has managed to find fulfillment in motherhood.

A found footage film full of absurdity and crackerjack, frisky energy about a breakthrough moment in Polish and world history.

Josef travels through the surreal world of a small Jewish town in search of his dead father. In the sanatorium to which he arrives on a dilapidated train, time behaves strangely, reanimating the past. The journey in the film has no logical transitions and often develops in an absurd way.

When her mother dies in the forest on the Polish-Belarusian border, a 16-year-old Kurdish girl Runa has to quickly grow up to take care of her 4 younger brothers and helpless, depressed father. The family deals with trauma in a refugee camp and tries to establish a new life in Poland.

Two months after the death of her son, Regina travels to Poland with her granddaughter Mika. The trip’s stated purpose is to retrieve the family’s property confiscated during World War II.